Fog Question Answer | Class X

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Discover ‘Fog Question Answer, Class X,’ a thorough manual containing all textual and crucial supplementary questions, designed in straightforward language to assist students in comprehension and exam readiness.

Fog Question Answer

Fog Question Solutions

Fog Question Answer

(Seba English X)

By Carl Sandburg

Fog Question Answer

Textual Question Solutions

Thinking About the Poem

Q.1. (i)What does Sandburg think the fog is like?

(ii) How does the fog come?

(iii) What does ‘it’ in the third line refer to?

(iv) Does the poet actually say that the fog is like a cat? Find three things that tell us that the fog is like a cat.

Ans: (i) The poet Sandburg thinks that the fog is like a cat.

(ii) The fog comes on little cat feet.

(iii) In the third line ‘it’ refers to the fog. The fog spread over the city and it looks like a cat.

(iv) The poet does not actually say that the fog is like a cat. He has used ‘cat’ as a metaphor to compare the nature of fog with a cat. As a cat walks on silently so does the fog. It comes down silently and spread over the city which looks like a cat.

Q.2. You know that a metaphor compares two things by transferring a feature of one thing to the other (see Unit 1).

(i) Find metaphors for the following words and complete the following table below:

Try to say how they are like. The first is done for you.

Ans:

Storm–Tiger–pounces over the fields, growls.

Train–wind–fast in movement

Fire –ruin–that engulf everything

School–gateway–educates student and lead to a life of responsibility

Home–abode–a shelter of love and affection

Q.3. Does the poem have a rhyme scheme? Poetry that does not have an obvious rhythm or rhyme scheme is called ‘free verse.’

Ans: No, this poem does not have any obvious rhyme scheme. It is written in free verse.

Fog Question Answer

Additional Question Solutions

Q.1. How does the fog come?

Ans: The fog comes as silently as a cat.

Q.2. Who is the poet of the poem ‘Fog’?

Ans: Carl Sandburg is the poet of the poem ‘Fog’.

Q.3. What does Sandburg think the fog is like? 

Ans: Sandburg thinks that the fog is like a cat.

Q.4. Choose from the box given below, the words that rhyme with the following:

(i) feet, silent (run, slow, violent, moves, seats, edge, city)

Ans:  (i) Feet —- seat,  silent —– violent

(ii) feet, harbour (bit, beat, sit, hour, honour, armour)

(ii) feet —- beat, harbour — armour.

Q.5. How does the poet describe the fog as if it were a living being?

Ans: If the fog were a living being it would behave like a cat. It would come silently to the town and spread over it slowly like a cat. After sometime it would have disappeared silently.

  1. 6. What is a harbour and how is it related to fog?

Ans: A harbour refers to the sheltered area of sea coast where ships can be moored. The fog is related to a harbour in the respect that the fog comes down like a cat and takes shelter in the city. 0 0 0.

Fog Question Answer

Analysis

“Fog” by Carl Sandburg is a brief yet evocative poem that captures the mysterious and transformative nature of fog. The title itself sets the thematic tone, suggesting an exploration of the natural phenomenon and its metaphorical implications.

The poem is written in free verse, lacking a strict rhyme scheme or meter. This form allows Sandburg to convey the fluidity and unpredictability of fog, mirroring its amorphous nature with short lines that contribute to its quick pace and sense of brevity.

Thematically, “Fog” explores ambiguity and mystery, portraying fog as a mysterious and transformative element that obscures clarity and perception. It blurs boundaries between what is seen and unseen, known and unknown, highlighting its transient nature and how it can swiftly envelop and alter landscapes. The poem creates a mood of uncertainty and introspection, suggesting isolation and a potential for danger or the unknown.

Through vivid imagery, fog is depicted as rolling in “on little cat feet,” a striking visual metaphor that portrays its gentle yet stealthy presence. The poem also evokes a quiet and hushed atmosphere, where fog “sits looking over harbor and city,” creating a sense of stillness and contemplation. Symbolically, fog represents ambiguity and hidden truths, metaphorically suggesting the unknown aspects of life that can obscure perception and understanding.

The tone of the poem is serene yet enigmatic, reflecting the peaceful but potentially disorienting nature of fog. It invites contemplation and introspection through simple yet evocative language that paints a vivid picture of fog’s presence and impact. Sandburg’s use of metaphorical language, likening fog to a cat, enhances its quiet and stealthy movement.

In conclusion, “Fog” by Carl Sandburg is a concise and thought-provoking exploration of the atmospheric and symbolic qualities of fog. Through imagery, symbolism, and tone, the poem invites readers to consider the elusive nature of perception, the transience of natural phenomena, and the mysteries hidden within everyday surroundings.

Fog Question Answer

About the Poet:

Carl Sandburg, born on January 6, 1878, in Galesburg, Illinois, was an American poet, writer, and editor known for his significant contributions to American literature. His work spans various genres, including poetry, history, biography, fiction, and folk music.

Early Life and Education:

Carl Sandburg was born to Swedish immigrants August and Clara Sandburg. He grew up in a working-class family, which deeply influenced his writing and worldview. Sandburg left school at the age of 13 to help support his family, working a series of odd jobs, including delivering milk, laying bricks, and shining shoes.

Despite his limited formal education, Sandburg was an avid reader and self-educated. He attended Lombard College in Galesburg for a time, where he was encouraged by his professor, Philip Green Wright, who recognized his literary potential and published Sandburg’s first collection of poetry, “In Reckless Ecstasy,” in 1904.

Early Career and Literary Beginnings:

After leaving college, Sandburg traveled extensively across the United States, working various jobs and experiencing the country firsthand. These experiences would later inform his writing, particularly his portrayals of American life and the working class.

In 1913, Sandburg moved to Chicago, where he worked as a journalist for the Chicago Daily News. It was during this time that he began to gain recognition for his poetry. His first major poetry collection, “Chicago Poems,” was published in 1916, earning him acclaim for its vivid portrayal of the city’s gritty urban landscape and its inhabitants.

Literary Success:

Sandburg’s poetry is characterized by its free verse style, direct language, and focus on everyday people and experiences. His collections “Cornhuskers” (1918) and “Smoke and Steel” (1920) further established his reputation as a leading voice in American poetry.

In addition to poetry, Sandburg wrote a series of children’s books, including the beloved “Rootabaga Stories” (1922), which showcased his talent for whimsical storytelling and inventive use of language.

Biographies of Abraham Lincoln:

One of Sandburg’s most significant achievements was his multi-volume biography of Abraham Lincoln. The two-volume “Abraham Lincoln: The Prairie Years” (1926) and the four-volume “Abraham Lincoln: The War Years” (1939) are considered definitive works on the life and legacy of the 16th president. The latter won the Pulitzer Prize for History in 1940.

Later Works and Achievements:

Sandburg continued to write and publish throughout his life, producing works across various genres. His poetry collections “Good Morning, America” (1928), “The People, Yes” (1936), and “Complete Poems” (1950) reflect his enduring commitment to capturing the American experience.

In addition to his literary pursuits, Sandburg was also a noted folk musician and collector of folk songs. His collection “The American Songbag” (1927) is a seminal work in the preservation and celebration of American folk music.

Personal Life:

Carl Sandburg married Lillian Steichen in 1908, and they had three daughters. The family lived in various places, including Chicago, suburban Elmhurst, Illinois, and Harbert, Michigan, before settling on a farm in Flat Rock, North Carolina, in 1945. This farm, named Connemara, is now a National Historic Site.

Death:

Carl Sandburg passed away on July 22, 1967, in Flat Rock, North Carolina. His contributions to American literature, particularly his portrayals of the working class, his definitive biographies of Abraham Lincoln, and his efforts to preserve folk music, have left an enduring legacy. Sandburg’s work continues to be celebrated for its lyricism, humanity, and deep connection to the American spirit.

In summary, Carl Sandburg’s life and work reflect his profound commitment to capturing the essence of America through his poetry, prose, and music. His influence on American literature is substantial, and his legacy as a poet of the people endures. 0 0 0.

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